Joining the Phil at World's End in Hingham this summer on August 24, 2019.
Romanian violinist Irina Muresanu has won the hearts of audiences and critics alike with her “irresistible,” (Boston Globe) exciting, elegant and heartfelt performances of the classic, romantic and modern repertoire. The Globe has also come to praise her as “not just a virtuoso, but an artist” and the Los Angeles Times has written that her “musical luster, melting lyricism and colorful conception made Irina Muresanu’s performance especially admirable”. Her performances have been frequently cited as among the Best of Classical Music Performances by the Boston Globe, most recently for a 2016 recital with pianist Roberto Plano titled “Rorem, Ravel, and Rags.”
Muresanu has performed in renowned concert halls throughout North America, Europe and Asia. Her solo engagements include concerts with the Boston Pops, the Miami Symphony Orchestra, the Williamsburg Symphonia, the Orchestre de la Suisse Romande (Geneva), the Metropolitan Orchestra (Montreal), the Transvaal Philharmonic (Pretoria, S. Africa), the Romanian National Orchestra, the Orchestre de la Radio Flamande (Brussels), the Boston Philharmonic, the Pro Arte Chamber Orchestra, and Symphony New Hampshire, amongst others.
An active chamber musician and recitalist, Ms. Muresanu is a member of the Boston Trio. She has appeared in such festivals and venues as Bargemusic in New York, the Rockport Festival in Massachusetts, Bay Chambers concert series and Bowdoin Festival in Maine, the Strings in the Mountains and San Juan Music Festival in Colorado, Maui Chamber Music Festival in Hawaii, Reizend Music Festival in Netherlands, Festival van de Leie in Belgium, and the Rencontres des Musiciennes Festival in France and Guadeloupe islands.
In 2013, Muresanu introduced her “Four Strings Around the World” project, a solo violin recital featuring works of composers inspired by various musical cultures around the world.
Joining the Phil's opening concert, Symphonic Spectacular on September 28, 2019.
Multi-talented Ian Watson has been described by The Times in London as a “world-class soloist”, performer of “virtuosic panache” and by the Frankfurter Allgemeine Zeitung as “a conductor of formidable ability.” He is Artistic Director of Arcadia Players Period-Instrument Orchestra, Music Director of the Connecticut Early Music Festival, and Associate Conductor of the Handel and Haydn Society.
Ian won a scholarship at age 14 to the Junior School of the Royal Academy of Music in London, later winning all the prizes for organ performance. He completed his studies with Flor Peeters in Belgium.
Ian has appeared with most major UK orchestras and also the Polish and Stuttgart Chamber Orchestras, Bremen Philharmonic, Rhein-Main Symphony, Colorado Symphony, Komische Oper Berlin, and Darmstadt State Opera among numerous others. He is featured on many film soundtracks including Amadeus, Polanski’s Death and the Maiden, Restoration, Cry the Beloved Country, Voices from A Locked Room, and the BBC‘s production of David Copperfield. Read more...
World-renowned trumpeter, Brandon Ridenour, joining the Phil's October 26th concert, Mozart vs.Salieri.
Brandon Ridenour’s brilliance and self-assurance on the concert stage led to his victory at the Concert Artists Guild Competition and a thriving career worldwide. Recognized as “…heralding the trumpet of the future” (Chicago Sun Times) and for “demonstrating the trumpet's huge potential for lyricism” (Cleveland Plain Dealer), he has combined his wide-ranging activities as a soloist and chamber musician with his passion for composing and arranging, resulting in his distinctive artistic voice and vision.
Brandon began arranging music for trumpet as both a solo and collaborative instrument in order to expand the possibilities for his instrument, sometimes including a melding of musical styles, and creating a new cross-genre repertoire. In addition to showcasing these works in his own recital and concerto performances, his arrangements are also featured by the ensembles Founders (a quintet featuring trumpet/piano, violin/voice, clarinet, cello and bass) and USEFULChamber, both of which Brandon is a founding member.
At the age of twenty, Brandon became the youngest member ever to join the iconic Canadian Brass, a position he held for seven years. While with the group, he played in distinguished venues around the world, performed on television, recorded ten albums, and received three Juno Award nominations. He also arranged numerous pieces for the ensemble, which are still performed today. Read more...
Soprano Kristen Watson joining all three performances of the Phil's Holiday Pops, December 14 & 15, 2019.
Kristen Watson, hailed by critics for her “blithe and silvery” tone and “winning stage presence”, has made solo debuts with the Orpheus Chamber Orchestra of New York City, the Mark Morris Dance Group, Boston Baroque, the Handel and Haydn Society, and Emmanuel Music, at such venues as the Walt Disney Concert Hall, Metropolitan Museum of Art, Tanglewood, Ravinia, and Boston’s Symphony Hall. Anticipated to “become a valuable presence in the early-music world” (Richard Dyer, Boston Globe), Kristen Watson was recently granted the Lorraine Hunt Lieberson Fellowship with Emmanuel Music, as well as awards from the American Bach Society Vocal Competition, Oratorio Society of NY Solo Competition, Concert Artists Guild Competition, the Joy in Singing Competition, and the Louisville Bach Society Vocal Competition.
Opera audiences have recently heard Kristen Watson as the “Voice of the Fountain” in Osvaldo Golijov’s acclaimed new opera Ainadamar with Opera Boston, directed by Peter Sellars. She has performed in additional productions with Boston Lyric Opera, Boston University Opera Institute, Intermezzo Opera, and the Opera Theater of Pittsburgh in such roles as Tytania in A Midsummer Night’s Dream, Adele in Die Fledermaus, Polly Peachum in The Beggar’s Opera and Monica in The Medium.
A versatile crossover artist, Kristen Watson has appeared at Symphony Hall with the Boston Pops Orchestra as the headlining artist on their “Holiday Pops” program, as well as “Mozart’s Greatest Hits”, both under conductor Keith Lockhart. Read more...
Cellist Zlatomir Fung joins the Phil's Plymouth 400: Adoration of Place concert on March 28, 2020.
American cellist Zlatomir Fung, of Bulgarian-Chinese parentage, recently captured First Prize at the 2018 Alice & Eleonore Schoenfeld International String Competition. Zlatomir began his studies of the cello at the age of three. He was the first prize winner at the 2016 George Enescu International Cello Competition, the 2015 Johansen International Competition for Young String Players, the 2014 Stulberg International String Competition, and the 2014 Irving Klein International Competition. He was selected as a 2016 U.S. Presidential Scholar for the Arts and was awarded the 2016 Landgrave von Hesse Prize at the Kronberg Academy Cello Masterclasses. He is a winner of the 2017 Astral National Auditions and the 2017 Young Concert Artists International Auditions.
He is a regular member of the Jupiter Symphony Chamber Players for their 2018-2019 season, and has been featured on NPR’s radio show From the Top six times, as well as on Performance Today. Read more...
Storyteller/singer, Jonathan James-Perry, joins the Phil's Plymouth 400: Adoration of Place concert, March 28, 2020.
Traditional singer, dancer, speaker and carver, Jonathan Perry is grounded in the traditions of his ocean-going ancestors. He considers designs by examining the raw materials closely, and draws his images from the grain, hues, and patina of wood, stone and copper. Jonathan enjoys using the materials and knowledge handed down from his ancestors to express his understanding of the natural world as well as the changes over time since Creation. His mentors, like the late Nanepashemet (Tony Pollard) of the Wampanoag Nation, have taught him to observe and take special care when handling these materials, and breathing life into his pieces of art. Jonathan’s work embodies the refined quality of those of his ancestors, while still drawing upon his experience in a contemporary society. His pieces reflect balance within the Natural World, incorporating stories, effigies, and symbology of Wampanoag traditions.
Jonathan is influenced by his time spent on the ocean, something very close to him, being from an island Native community. One defining moment has been when Jonathan witnessed a basking whale off the cliffs of Aquinnah, MA on his home island of Martha’s Vineyard. These whale images have since appeared in many of his pieces. Jonathan continues to use the materials and knowledge handed down from his ancestors to express his understanding of the Natural World and the change that it has experienced in the past four hundred years. Jonathan’s three dimensional artwork ranges in size from large, hand-carved dugout ocean vessels, to stone effigy pipes and high-end copper jewelry. Read more...
Natalie Douglas joining both performances of the Phil's Spring Pops: Bette, Babs & Beyond, May 16 & 17, 2020, a tribute to Bette Midler, Barbra Steisand, Dolly Parton, Tina Turner & more!
Called, “a true force of nature,” and "in a league of her own," by Clive Davis of The Times (UK) in his TWO five-star reviews of two different London appearances, Natalie Douglas is a Nightlife, two-time Backstage Bistro & ten-time MAC (Manhattan Association of Cabarets and Clubs) Award Winner and recipient of the Donald F. Smith & Margaret Whiting Awards from the Mabel Mercer Foundation. Natalie’s portrait also hangs on the legendary Birdland Jazz Club Wall of Fame.
Her performances have brought crowds to their feet across the U.S. (Carnegie Hall, Birdland, Café Carlyle, Herbst Theatre, Thalian Hall and Jazz at Lincoln Center’s Appel Room) and the world (The UK, Germany, Italy, Montenegro, Greece, Corsica, Turkey, Monaco, Argentina and Mexico) with many different concerts featuring tributes to Nina Simone, Lena Horne, Nat King Cole, Sammy Davis, Jr., Stevie Nicks & Stevie Wonder, Dame Shirley Bassey, Barbra Streisand and Dolly Parton as well as shows about Cafe Society, the music of the 70’s and 80’s, songs of various civil rights movements and gospel influenced jazz and blues. Read more...